The “Voices” Exhibit began well. The mass of the room upon
entrance was well designed. An oval space with faces lining the walls was an
appropriate entrance to an exhibit entitled “Voices”. The oval is more
effective to display many images because it provides more flat spaces. This
problem of curvature in relation to the display of flat art is evident in the
Guggenheim in New York. The extrusion of
some images away from the wall gave depth and dimension to the space, where
flat mural images would lack in excitement. Then to further the attractive
quality lights were placed behind larger images to draw attention. The images
seem to gravitate around the larger images. This technique draws the eye to the
larger image with light and size then attention is dispersed to the surrounding
objects. One single stool was placed in the center of the oval. This is meant
to draw the viewer to a sitting position and a sense of rotation is established
around the piece of furniture. However I believe rotation is implied due to the
oval form and ring of images. The stool also marks the edge of a corridor in
which to travel to the door, but blocks direct travel to the images. The stool
could have been left off the circulation route.
Moving out the door from the oval entrance room the display
area zig zags with displays lining the walls. Track lighting illuminates the
displays here as well as in the oval entrance. Tiled carpeting sections off
space into appropriate squares. The option of the right angle is apparent in
the square and the shape of space. The change in color in the exhibits defines
the age in history. Red and green are predominant as these are the colors of Greensboro.
The displays weave and lead you appropriately into the gift shop. Is this
appropriate to have the gift shop at the end of the first exhibit? This may not
be the most appropriate pare for the gift shop. This placement commercializes
the display and in a way cheapens it. Perhaps the gift shop should be under the
mezzanine on the first floor. The option of purchase instead of implied
obligation.
The pottery section is set with historic room detail
surrounding it. This is appropriate as pottery could be argued is of more
historical significance than room layout. The pottery is displayed on small furniture
like blanket chests within the cases. Was this how it was displayed in
historical times? Why would you display perishable pottery on a chest that
opens on a regular basis? Pottery was probably kept on a shelf where it was
away from motion. So to keep with the times of display; appropriate historical shelving
can be used to display the pottery. This would cut down on display room,
narrowing the cases and allowing the room displays to become more prominent.
The reason the pottery is displayed along with furniture is to show the
relationship between the two. How much relationship is there between a wooden
box and molded clay? The same comparison can be made through historical
shelving and pottery, possibly even more so. Maybe shelving and trim can match
that of an amoire relevant to the period.
The Gate City exhibit was divided into separate rooms on
opposing sides. There was too much division within this display and no fluid
circulation. The rooms were wall papered or plastered. This seemed to cheapen
the area. The colors were dull providing no sense of excitement. In certain
rooms mechanical elements were present on the ceiling and it distracts from the
scene. A disguised drop down ceiling would hide these. The HVAC plenum in the “theater”
causes the screen to be offset from center. This room is too small for the
purpose and need not exist within the space. There was a sense of confusion and
disorganization to the room order of displays. Certain rooms need to be
combined. It is not necessary to have a separate room to display two telephone
operation stations. The division wall of
fake brick where the fire engine juts out of an irregular opening must be
removed. This irregular opening impedes circulation and causes claustrophobia.
The purpose of the opening is to allow a view of the fire engine while walking
towards the door to the classroom at the end of a dead end hall. The door to
the classroom must be at the front windows of the classroom. The door at the
rear is not even evident and there is nothing but the removable railing to
indicate that one should pass in this direction. This is a waste of space and
shouldn’t be there. Opening the wall to the engine room guides the eye into
this area after one would pass by the entrance to the classroom. The plenum
within the engine area is an eyesore. There is no dropdown ceiling due to the
height of the fire engine. Perhaps moving the engine into the street area would
allow for a ceiling to be installed. Possibly replacing the ductwork with
forced air tubing will decrease its size. This may not be a possibility due to
the requirements of air movement for specific areas. Spot track lighting is unnecessary
in this area there are few wall displays and the reflection off white walls
gives too much glare and institutionalizes the display.
Another note on the rear exit staircase; if this is the
staircase that the lobby was modeled after, is nothing spectacular. It is just
a based in staircase. This furthers my decision to remove the base of the lobby
stair and expose the space behind as one continual unified mass. The space
still may not be usable but the implied reflection of area opens the floor
space.
The Down Home exhibit was very open upon arrival. Single
displays were organized in cluttered masses. Structural columns became
hindering objects in circulation and view. White walls laid a background
against the furniture and pictures. This also institutionalized the scene and
gave a feeling that the objects did not belong. Green rectangular rectangles occupied
background space and furthered to cheapen the displays. Modeled displays were set in boxed framing in
the middle of circulation tightening the spaces. The display was also exhibited
on the first floor. The towers of display were arranged in a tight pillared
square. This seemed very uncomfortable to move through.
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