This is the first of my reading analysis as this is the
first free time I have had this semester. To me this book acts as a diagram in
paragraphs. Each chapter descriptively moves through the design process even
creating bubble diagrams to elaborate on detail. These chapters assessed the
players involved within the design field, clients and users. The later chapters in the book described ways
to view space and to assess the value of potential areas as well as the shaping
and molding of sensation imbibed during circulation. Out of all points
highlighted within the text I believe motivation is the most important.
Design theory is the backing behind successful and failing
projects. Take for example the Industries of the Blind. The building itself
displays no design theory other than that of strict purpose based construction.
I don’t consider a structure like this to be architecturally competent in concept.
Any contractor can buy plans and build a rectangle based system with casual
consistencies in building form. For example standard door dimensions and
uniform grays in color of material. The dull boring circulation exists only to
sustain simple lifeless organization of manufacturing robots. I make the
comparison to robots because of the mechanical resemblance of people working
tediously to those of lifeless cogs in a geared machine.
To correct absence of life and emotion one must define
personal space. Thus is the purpose of defined aedicule. To shear the open void
into separate rooms each one containing its own experience. This is pointless
on the factory floor. But what about a uniform working station that can be
aligned to form canals where each worker has a sense of possession no matter
where the station is located. Adjacent placement of the singular desk forms a
working circulation while displaying uniformity and decreasing the mechanical element.
Texture and color of this desk must be warm to relax the worker and increase
the fluidity of the working process. The desk cannot contain an overhead unit
due to fire suppression systems that hang from the ceiling I beams. Any
overhead compartment might be impeding fire suppression as well as affecting
the dispersement of light from overhead fixtures hanging from the ceiling. Any
overhead compartment above the desks would block the viewing distance and be in
the way of moving production units. All storage must be on the sides of
underneath.
To touch on concept again; it is all metaphorical. To
release one consistent metaphor throughout the whole of the structure is
successful architecture. Even if it is the gears of production, define it well
and not just the bare minimum.
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